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This work-related was featured in the "Gilmore Girls" illustration "The Festival of living Art" (Season 4, episode 7) v Rory Gilmore dressed up as the portrait. Her mother Lorelai is the mrs in Renoir"s The run at Bougival.
At the end of people War II, this painting was recovered indigenous Germany, who troops had stolen it, and returned come the national Museum of Capodimonte.
The title Antea comes from Giacomo Barri, who argued that this woman was a well known Roman escort called Antea, and also that she to be the lover the Parmigianino, however there is no proof to support his claim.
For its an initial 135 years, this portrait"s location was just Ritratto di giovane donna (Portrait the a Young Woman).
In the Rome of Parmigianino"s day, courtesans to be beloved by many, numerous people.
135 years after the artist perfect this work, Giacomo Barri provided it the name of among the most renowned courtesans, praised by the writer Pietro Aretino and also the sculptor Benvenuto Cellini, whose name was Antea. What"s the difference in between a courtesan, an escort, a prostitute, and, together the so late Nate Dogg sang in his radio modify of "Area Codes," a "pro"? Nothing in ~ all, it transforms out, however the names for the world"s earliest job selection from the lofty "courtesan," v its close resemblance to "courtier," come the derisive persons we"ve every heard on her favorite reality show, or a random episode of Maury Povich.
I can"t completely fault Barri because that publishing, in his "Picturesque trip of Italy," the insinuation that Parmigianino had a lil" thang going through the well known Antea, and also that this snapshot is the mrs herself. No doubt, Barri was just trying to salary the bills with some juicy proto-TMZ gossip, and also the ploy worked. But his machinations, like the butterfly effect, have significant consequences when world accept the story there is no researching it, since it reflects inaccurately ~ above the scant story of the good Parmigianino, whose tragically brief career is complete of excellent works. The juiciness of the story is exactly the "red flag" that writers, luckily, notice, in bespeak to present the painting with a big old serial of rock salt around the misleading title. I guess we store the title the exact same as a lesson around the effects of gossip, yet maybe we should adjust it earlier to Ritratto di giovane donna (Portrait that a Young Woman). Another sign that this mrs is no Antea is that her apron is a noblewoman"s, and the presence of jewels and rubies on her hair and also hands room talismans supposed to protect the fertility of a young aristocratic bride. Current research has associated this mrs to Ottavia Camilla Baiardi, Parmigianino"s friend"s niece, and she each other the features of Parmigianino"s Madonna with the long Neck.
Parmigianino"s brilliant approaches of erotic intimacy, such together her bare hand on she jewelry and the slight activity of her clothes to suggest her activity toward you, make this job-related one the the biggest portraits. It"s no surprised that German troops stole this one throughout WWII, and the national Museum that Capodimonte had to retrieve it when the dust settled.
Christina Neilson is on suggest when she write that all of our centuries of hemming and hawing around the identity of this specific woman space secondary, as far as the artist"s intentions space concerned: Parmigianino want to present us the captivating heart of perfect beauty the anyone can fall in love with.
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Kozal, Susan Marie-Mosko. Sofonisba Anguissola"s Self-portraiture. Eastern Lansing, MI: Michigan State university Department the Art, 1995.Neilson, Christina. Parmigianino’s Antea: A Beautiful Artifice. New York: The Frick Collection, 2008.Viola, Luisa. Parmigianino. Parma: Grafiche Step, 2007.