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Trombone (Fr., It. Trombone; Ger. Posaune). A brass aerophone v a cup-shaped mouthpiece and also predominantly cylindrical bore. In its most familiar type it is the tenor-baritone equivalent of the orchestral trumpet however it is defined by a telescopic slide v which the player different the length of the tube (except in the valve trombone): for this reason the ax "slide trombone" (Fr. Trombone coulisse, Ger. Zugposaune, It. Trombone a tiro; Fr. And Eng. Approximately the 18th century, saqueboute, sackbut). Both the Italian and German n me for trombone are obtained from term- for trumpet: Trombone (large trumpet) from the Italian tromba (trumpet), and Posaune native the Buzune, obtained in turn from the French buisine (straight trumpet). The etymology the saqueboute whence English "sackbut", "sagbut", "shagbolt" etc.) is not specific but is probably from Old French sacquer. "to attract out" (e.g. A sword), though a Spanish derivation, sacabuche, "draw the end the innards", has also been suggested.1. On slide trombone.2. Tenor trombone.3. Tenor-bass trombone. 4.Bass and also contrabass trombones. 5. Alto and also soprano trombones. 6. Valve trombone. 7. Background to c1750. 8. Background from cl750. 1. On slide TROMBONE.The framework of a on slide trombone have the right to be watched in fig.1. The 2 parallel inner tubers ofthe on slide are connected at their top ends through a cross-stay. The mouthpiece is inserted into the peak of one tube; the bell joint fits on come the optimal of the other, the pipe being either tapered externally or attached come the bell by means of a threaded collar. Over the stationary within tubes operation the on slide proper, which consists of two tubesjoined at the bottom through a U-bow (with a water key for releasing condensed moisture) and also at the height by a second cross-stay, i beg your pardon the player grasps loosely v the ideal hand. Friction is minimised by thickening theinner tubes contempt at their lower ends to carry out running surfaces because that the external slide. Previously these short sleeves or "stockings" were of a various metal from the of the slide; in contemporary manufacture they are formedintegrally through the inner tubes, which are of nickel alloy, or room omitted altogether, as the within tubes can now it is in made of alloys developing much smaller frictional forces thebore that the tool is cylindrical for about two thirds the its length and expands progressively through the bell. The boring is usually in between 12*3 mm and also 13*8 mm in diameter, despite in bass trombones it might exceed 14 mm. The bell varieties from around 17*8 cm across in a tenor trombone to around 24-6 centimeter in a bass. The U-bend that the bell joint is commonly fitted with a tuning-slide and also may incorporate a counter-balance. The slide an approach is based on seven location that lower the key of the harmonic collection progressively through semitones: the first (highest) place is with the slide totally retracted, the 7th (lowest) with it fully extended.The distance between adjacent positions rises as the slide is expanded On the tenor trombone, for instance, from 1st to 2nd position is about 8 cm, from 6th to 7th position about 12 cm. The length of the on slide is figured out by the extension required to fill in the interval in between the 3rd and 2nd harmonics (f and Bb ~ above the tenor trombone). The modern-day trombone was standing in 9" Bb" (total size of tubing. Through the slide retracted, 9 feet) and also is made in two principal forms: the an easy trombone in Bb (fig.la); and also the Bb/F trombone, i m sorry incorporates in the bell share an "F attachment" to reduced the key of the tool by a 4th to 12" F (fig.lb). (A widely provided variant the the Bb/F trombone is the Bb/F/E trombone, which has two attachments to lower the key to F" or come E"; fig. 1c.) The practice of utilizing Bb and Bb/F trombones has practically done away v what made it through in the 20th century the the ancient use that three various sizes of slide trombone: alto, tenor and also bass. The Bb trombone, however, is tho often dubbed a "tenor trombone". Wide-bore models that the Bb/F trombone are often termed "bass trombone", and also are provided for the shortest of the 3 Trombone parts that have normally been written in orchestral and also band music. The trombone is a non-transposing instrument; the tenor trombone is termed Bb since its natural collection of harmonics is top top Bb".2. TENOR TROMBONE.The Bb trombone has constantly been the many typical; in 16th century Germany, for instance, it was regularly termed gemeine ("ordinary"), and also the deeper-pitched tools (Quartposaune etc.) were defined by their pitch interval below the tenor. Table 1 shows how the scale is do on the tenor trombone. The harmonics chiefly offered are from the second upwards, the 17th (f"" in first position) being periodically required. Due to the fact that of the one adjustments feasible with the slide, notes of the 7th harmonic can be lugged into track from the 2nd to 7th location The fundamentals or "pedals", indigenous Bb" downwards (demanded v some frequency complying with Berlin"s usage of them in the Requiem). Are obtainable when enough time is offered for convey of embouchure. The fundamentals below C" are compelled only once playing contrabass trombone components on the 13b/F trombone. Higher in the range, where the harmonics come closer together, short positions the the slide space used mostly as choices to avoid long shirts in rapid passages and to allow variation in make slurs for legato playing. Alternate positions are additionally often needed for the first or last note of lengthy glissandos.3. TENOR-BASS TROMBONE.The Bb/F trombone was presented in 1839 by the Leipzig device C. F. Satire: in Paris Salary and Sax complied with with comparable instruments, though they were tiny used in France. The F attachment is composed of a coil of about I metre of pipe placed between the two branches that the bell joint and also connected with the key tube with a rotating valve activate by the left ignorance ( check out fig.lb). The range of the trombone is thus prolonged down short C. The lowest note in classical bass trombone parts. The F attachment additionally provides further alternate positions to avoid shins to the slide that room awkward on the Bb trombone, for instance the semitone indigenous Bb come B, first to 7th position. Is decreased to 1st to 2nd position, permitting the development to be play legato, if the B is taken v the valve tuned. When the attachment is switched in, the on slide positions come to be those of a trombone in F. Hence lying more down the slide 보다 on a Bb tool On most designs the full attention drops just short of that forced for a sixth position. C is therefore a little sharp uneven corrected by embouchure, and also B" is lacking altogether as the tool lacks the 7th position. Composers such as Bartók and Stravinsky who have consisted of this B" in vital works have actually obliged football player to usage an "E slide" in location other tuning-slide detailed in the attachment. Alternatively, secondary thumb valve that transposes the instrument into E, Fb, or D can be detailed This Bb/F/E (or Bb/F/Eb or Bb/F/D) trombone, popular an initial in the USA. Has actually once spread out low Europe (see fig. K ) since the fundamentals are available down come E or lower, the tool can additionally play contrabass trombone components e.g. Those the the Ring. During the second half of the 19th century it ended up being regular exercise in German orchestras for the 2nd and 3rd players to usage Bb/F trombones (with a wider-bore instrument because that the 3rd part), when the an initial used the Bb tool This practice has been expanded to the USA and also to other European countries. A current trend has actually been for all three players to usage Bb/F tools (with Bb/F/E for the bass), due to the fact that of the technical benefits offered by the attachments in the lover component of the compass.4. BASS and CONTRABASS TROMBONES.The F bass trombone formerly used in German and central European bands proper survived right into the 20th century. In Britain. However, the G base trombone, pitched a minor 3rd below the Bb instrument, was provided in every orchestra and band from around 1815 as much as the 1950s and still appears in part brass bands. That is bottom note. Except pedals, is C#; for orchestral use a D attachment is included, and also when the instrument is offered for contrabass parts a "C slide" is inserted in the attachment completing the compass down to C#", v notes obtainable ac pedals ~ above the G trombone since of the long slide extensions vital on F and also G Trombone;, the stay of the external slide is burnished with a handle through which the shortest positions have the right to be reached. For a long time countless German opera dwellings possessed a true contrabass Trombone in 18" Bb"", noted with a twin slide consisting of two parallel slides associated in series. (by 2 U-bows in ~ the bass and one at the top) however moved as one (see fig.2h). Together each change on together an instrument requires fifty percent the movement vital with a regular slide, the shifts room no greater than those of the ordinary Bb Trombone. Double slides were additionally fitted to some F trombones. Boosey & Co. Made a trombone in 16" C because that the London premiere of the Ring; as its double slide provided nine positions instead of the normal seven, Wagner"s E" might be reached on in according to Arthur Falkner. However, that failed to knife Hans Richter"s approval and also the part was play on a tuba. A brand-new contrabass draft by Hans Kunitz in 1959 and made by Alexander the Mainz is called "Cimbasso" (after the parts so called in Verdi"s operas). Pitched in F, it has two attachments: a valve operated by the thumb that lowers the instrument to C, and a valve activate by the tight middle finger that reduced it to D". Both together reduced the key to Bb"". By using these valves the single slide need Be moved beyond the 3rd position for just two notes (see fig.2a).5. ALTO and SOPRANO TROMBONES.Alto trombones in Eb or F. Frequently used native the 16th century to the 18th as the peak voice in the brass choir (see fig.5 below), decreased in popular from the at an early stage 19th century, when trombone ended up being an developed pan that the symphony orchestra. The range of the parts can usually be extended with the Bb instrument; furthermore, players have end up being accustomed come the Bb trombone"s on slide shirts and also mouthpiece and most favor its sound to the brighter, diluent tone or the alto. (Indeed, also in the 17th century Praetorius recommended utilizing the tenor rather of the alto.) approximately the finish of the 19th century, however, some an initial trombone players regularly provided the alto in parts so marked. It is currently usually scheduled for alto Trombone parts with exposed high notes, particularly where these need to be take away softy, as for instance in Britten"s the burning Fiery Furnace. The soprano trombone, usually in Bb one octave over the tenor, appears to have appeared in the so late 17th century, the period from i m sorry the earliest surviving specimens day Its bell diameter is about 12 7 cm, it full length or lupine much less than 1-5 metres, and also its, slide expansion usually restricted to 6 positions terry referred short its usage at Leipzig to play the treble part in plain chorales, and also in the 20th century American manufacturers such as C. G. Conn Ltd (Elkhan, Ind.) make a few soprano trombones. More than likely intended because that jazz ensembles. However it has actually never been extensively used.6. VALVE TROMBONE.Although Heinrich Stölzel, co-inventor of the valve, had thought about its applications to the trombone, the very first valve trombone were produced during the 1820s in Vienna by various other makers, use the double-piston valve make in alto, tenor (see fig.4d below) and bass pitches, valve trombones reached a top of popularity quickly after the mid-19th century. In 1890, follow to consistent Pierre, German and Italian orchestras almost always supplied a valved bass trombone, and until the mid-20th century valve trombones (often alongside slide trombones) were usual in bands and theatre orchestras in the Latin countries, east Europe and Asiatic countries. Valve trombones have typically kept the an easy shape the the slide trombone, though in "short" models the size is substantially reduced. A couple of models, consisting of a Bb contrabass. Have the bell raised to suggest at the audience when the valve section slants downwards in a comfortable position. From about 1840 tools intended principally for an installed bands were produced in upright (saxhorn) and circular (helicon) designs. Tenor and bass instruments are frequently fitted through a fourth valve that, together on other four-valved brass instruments, lower- the key by a 4th; yet as three valves continue to be tuned to the Bb pitch. Use of the fourth valve adds intonation obstacles to those natural in the conventional three-valve system. The constant need to correct intonation by embouchure and also the absence of a sensitive vocal legato are shortcomings that the valve trombone. Further, over there is the lose of the enlargement of the bore within the external slide that occupies a significantly larger ratio of the windway as the on slide is extended and also no doubt contributes much to the tonal character of the slide trombone. Advantages are greater technical adaptability (e.g. On particular trills), compactness, and the reality that every instrument from alto to contrabass has an identical reel under the hand. A valve arrangement that offer much better intonation is Sax"s device of 6 independent pistons, which has had a long vogue in Belgium. Each valve controls a loop equivalent in size a given shirt ~ above A slide; when lowered, a valve diverts the windway with its very own loop, cut off every those below it. The key windway leads with all the valves come a terminal loop and ago through the valves to the bell. The very first valve corresponds to the 1st position. The sixth to the 6th position; v all valves elevated the instrument gives the note of the 7th position. There space no combine of valves (unless an extra valve is equipment to serve as the 4th valve the a typical valved instrument) and the intonation is correct throughout.7. History TO c1750.The trombone appeared after the mid-15th century, evidently as an development on the Renaissance slide trumpet, and also was possibly an initial produced by Flemish devices who gave wind instruments to the court the Burgundy. The first reliable relenten of the instrument occurs. Just prior to 1490, in Italian church painting (see fig.3). Olivier de la Marche"s Mèmoires (1488) save on computer an previously written reference to a trompette-saicqueboute supplied by among the haut menestrels in a motet play at the wedding of the battle each other of Burgundy v Margaret of York at Bruges in 1468. "Sackbut", supplied in the context to qualified "trumpet", stands on its very own in Tinctoris"s De inventione et usu musicae (c1486): having actually mentioned shawms, Tinctoris created "... However. For the shortest contratenor parts and often for any contratenor component one join to the shawmists trompeters who play really harmoniously on that sort of tuba which is referred to as trompone in Italy and also sacque-boute in France. Virdung"s Musica getutsht (1511) has a woodcut the a trombone that closely resembles the earliest surviving tools - tenor trombones through Erasmus Schnitzer (1551; now in Nuremberg, Germanishes Nationalmuseum fig.4a) and also Jorg Neuschel (1557; previously in the Galpin Collection, now owned by René Clemencic, Vienna). The bells of this instruments have actually virtually no terminal flare (thus resembling 16th-century trumpet bells); the diameter at the pickled in salt is only 12 come 13 cm. The slide bore of the Neuschel trombone is around 12 mm in diameter, somewhat larger than other instruments of the period. Over there is no expansion of the tube until after the U-bow the the bell. The continues to be are flat and are secured come the slide branches by binged clasps lined with leather, which give versatility and enable the entirety instrument to be dismantled (most that its parts being fitted with each other without soldered joints). Making it through mouthpieces have actually hemispherical cups, large rims and wide, sharp-angled throats. Neuschel"s correspondence from 1541-2 (published through Eitner in Monatshefte für Musikgeschichte, 1877) mentions Grosse- or Quart-Posaune and Mittel-Posaune, denote the existence of the base trombone and also suggesting the a smaller instrument 보다 the tenor was likewise made. The terms alt and tenor it seems to be ~ to have been embraced late in the century; one more name for the tenor currently was gemeine, "ordinary".Praetorius detailed and portrayed (fig.5) four sizes of trombone: Alt or Discant Posaune (comparable to a modern alto), Cemeine Posaune (comparable come a modern-day tenor), Quart- and Quint-Posaunen (bass tools a fourth and a fifth below the tenor), and Octav Posaune (contrabass, one octave listed below the tenor). The Octav Posaune could apparently it is in made through a dual slide (Praetorius"s wording ~ above this allude is no clear). A sweden contrabass dated 1639 (now at the Stockholm Musikhistoriska Museet; fig.46) has a normal slide. Various other sizes stated in town and court inventories are Terzposaune and also Secundposaune (a third and a second below the tenor), possibly represented by two or three early 17th-century specimens that are bigger than regular tenor . These may have actually been employed to protect against using crooks once playing music in downwards transposition. Inserted in between slide and bell joint, a crook lower the key of the tenor through a totality tone or more. According to Mersenne the tenor had actually a crook to lower its pitch by a 4th, permitting it come be supplied as a bass. Speer added information on slide technique. In the 17th and also 18th centuries the positions were counted diatonic- ally, together tone, tone, semitone. V the on slide closed, Thetenor stand in A" (nearly indistinguishable to modern B"). Indigenous the A" harmonic sties the expansions were come G. F and also E. Chromatic notes were taken into consideration as half-positions and 8b was obtained by full expansion of the on slide (modern 7th positions. Speer likewise mentioned an alto in D and also a base in D. Numerous 17th- and also 18th-century Nuremberg bass trombones incorporate a tiny slide in the bell joint. Pushed backwards through a long rod (fig.4c). It can scarcely have been supplied while playing, but no doubt permitted the player to reduced the Quart come Quint conveniently without the decreased stability that insertion of a crook bring to a big instrument. Structural changes during the 16th and also 17th centuries had enlargement of the bell and alterations come the stays. From around 1660, if the flat stay was kept on the bell joint, those ~ above the slide to be tubular, consisting of two sections, one end of each addressed rigidly to every limb the the slid and also the other ends relaxing one inside the other in a loosened fit to provide flexibility (this it is long until about 1850, once stockings and also rigid slid stays were adopted). Transparent the 16th century the trombone to be a consistent member that town and also court bands (see fig.6). That was used with cornets, to support voices in church (see Chorus (i), fig.4), and also in combined consorts favor that portrayed on the title-page of the critical volume the Lassus"s Patrocinium musices (Munich, 1589). Consists of violin, base viol, flute, cornets, 2 trombones, lute and also virginal (sec fig.7). Together at the time music was arranged for the instruments advertisement hoc by the musician in charge, that is rarely possible to allude to 16th-century compositions in i beg your pardon trmbones to be specified, although they to be constantly compelled to participate. In the earliest functions with stated instrumentation trombones figure prominently. They were the Gabrieli"s" main car for the lower parts, and one that Giovanni Gabrieli"s canzonas calls for 12 trombones which play every component from alto downwards in 3 juxtaposed choirs, the treble components being bring away by 2 cornets and also a violin. Schütz employed increase to four trombone both in lively figuration in imitation of other instruments and in slow-moving polyphony. The 16th-and 17th-century trombone was designed as an instrument of tool sonority. Mersenne stated that it should not be sounded in imitation that the trumpet, however should approach thesoftness of voices to prevent spoiling the harmony of the various other instruments and also the voices with which it to be blended. An circumstances of trombone linked with violin and also organ is tape-recorded in Aubrey"s stays of Eminent Men:Sir john Davies to be a good lover of Musick and especially of man Coparario"s Fansies, which were because that a sagbot, a violin ano an organ, identical to 5 parts. These to be performed through Chistopher Gibbons his organist (since Doctor), the was sagbuteer (and his Butler) to king Charles I and also Humphrey Madge (his valet de chambre) violinist.Technically the trombone was thought about hardly much less agile than cornet or violin, and Mersenne knew a player who might improvise departments in semiquaves (trombone divisions with semiquavers happen in Francesco Rognone-Taeggio"s Selva di varii passaggi, Venice, 1620). Part English and German 17th-century music because that a tape of 2 cornets and also three trombones (alto, tenor and also bass) survives. This contains pieces in Adson"s Courtly Masquing Ayres (1621) marked "for Cornets and also Sagbuts", and also Locke"s Music for his Majesty"s Sagbutts and also Cornets (1661; two pieces in manuscript score space in GB-Lbm, and the manuscript partbooks, without the alto room in GB-Cfm). Among the German instances Pezel"s Fünff-stimmigte blasende Music (Frankfurt, 1685) is an especially attractive. In England this type of tape did no outlive the 17th century. Talbot (c1695) quoted the famous London trumpet machine William Bull as stating: The chief use the Sackbutt below in England is in consort v our Waits or English Hautbois . It to be left off in the direction of the latter finish of King Charles II and also gave location to the French Basson .In southern Germany and Austria, however, bandsmen continued to use trombones, and also solo parts written through Fux and also others at the royal chapel at Vienna (in the late 17th century and also the beforehand 18th) show the adventurous treatment offered to the instrument, particularly the alto.8. Background FROM c1750.Although supplied in church musk (particularly because that doubling the reduced voices,) and in small ensembles, the trombone go not become n component of the orchestra till the the 18th century. At this duration the instrument had solid associations the the ecclesiastical the the supernatural. Gluck composed for the traditional trio of alto, tenor and also bass (e.g. In the oracle step of Alceste), as did Gossec, who also scored because that the single trombone join to a bass part. Mozart provided trombones just in his operas and also sacred works; his dramatic use of the instrument is an especially well exemplified by the supper scene of Don Giovanni, and he detailed a well known solo for the tool in the "Tuba mirum" that the Requiem (not without criterion in his previously church music). In Germany the reorganisation of military bands gave the trombone the role of increase the base line, despite the trio was maintained in large infantry bands and in the orchestra. Technical changes included realignment that the old high A key (of the tenor) to concert and band pitch Bb. And acceptance or seven chromatic on slide positions rather of the ahead diatonic positions. At the very same time the tendency in France and Germany was towards performing all orchestral trombone parts on the Bb tenor instrument. Beforehand in the 19th century in Germany Gottfried Weber and Fröhlich recommended playing the Bb trombone with a little mouthpiece because that alto parts, and also using a wider-bore Bb instrument through 8 huge mouthpiece for bass. Approximately the mid-century German tenor trombones usually preserved the traditional bore the 11 4 mm, when the base trombones to be proportionately more comprehensive and had broadly expanding bells to add to the volume of their tone. The usage of large-bore tenors (essentially tenor trombones developed with the bore and also bell of an F base trombone) began after 1850, in armed forces bands. Brahms wrote for large-bore instruments; consequently leading English players even into the early 20th century changed to tools of more comprehensive bore for works byBrahms and also Richard Strauss and for the later works of Wagner.Romantic composers considered the trombone capable of expressing a broad selection of emotional situations: Berlioz stated the instrument might portray whatever from "religious accent, calm and also imposing ... To wild clamours of the orgy". V its formidable to make reservation of power it is no surprising the the trombone to be sometimes, supplied as if loudness to be its main attribute The armed forces bard buccin, a freak style of trombone v a dragon-headed bell, typifies this image. According to Algernon climbed (Talks through Bandsmen, 1895) trombonists" propensity for playing also loudly to be the factor one conductor, around 1850, to work trombones designed through the bell pointing earlier over the shoulder. Over-the-shoulder trombones were likewise used in at least one American band (the Boston Brass Band) to enhance the design of the other instruments, which were every over-the-shoulder horns. 19th century composers often limited themselves to a stereotyped usage of the trombone because that reinforcement the tutti passages and for elevator harmonies in soft passages; because of the preponderance of 19th-century music in 20th-century concert programmes, the is through these least exciting sides the the trombone"s character the audiences are most familiar. In run music, however, arrangers have made liberal usage of the trombone"s inimitable cantabile, i beg your pardon dance band trombonists execute so fine they are sometimes credited with having discovered new techniques. Other technical breakthroughs have been largely because of the influence of jazz musicians. Jazz trombonists, using a selection of mutes for expressive effects, have displayed that a greater variety of timbres is available than is typically employed even by modern symphonic composers. Vibrato -always a technical possibility has become part of the trombone soloist"s style. Slide technique has become an ext flexible, and the instrument"s range has been extended at both ends, make the feasible range of the tenor trombone from E, the shortest pedal note, to g" or above. Although the trombone is currently seldom heard in the concert hall together a solo instrument apart from jazz, number of 19th-century football player made reputations as soloists, including C. T. Queisser and F. A. Belcke in Germany, and also in France A. G Dieppo, who Méthode (1840) indicates that he supplied a slide tenor that curiously slender proportions (a bore of 1 cm and bell of 12 cm).


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An extremely narrow bores room indeed uncovered in some enduring French trombones the the duration by Courtois and others.From The new Grove Dictionary, author: Anthony C. Baines, editor: Stanley Sadie(A really great book)You room the 15289 visitor come thispage.E-Mail